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More than 300 inscribed blocks and fragments of blocks have fallen from the upper
levels of the walls of the Hypostyle Hall and now lie in the yards around the temple
itself. We are currently collecting, mapping, photographing and drawing all these
blocks to reconstruct the now missing decoration at the tops of the walls.
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Polish Egyptologist Janusz Karkowski records a loose block from the Hypostyle Hall |
Most of these blocks have been lying on the ground for a century and they have suffered
decay from water and salt infiltration. During our 2000 field season, the most endangered
blocks were cleaned and conserved to stabilize them and protect them from further
damage. Most have now been removed to waterproof platforms. Photography and preliminary
copying of the inscribed blocks was carried out during the 2000 and 2002 seasons and
again in 2011.
A block showing early sunk reliefs of Ramesses II, originally from the south interior
wall. Note the unusual forms of Ramesses' cartouche names. |
At present we have identified more than 300 inscribed blocks and fragments that have
tumbled from the upper walls of the Hypostyle Hall and which now lie in the yards
around the temple from among more than 10,000 other inscribed fragments belonging
to various parts of the Karnak complex. We have made substantial progress in mapping,
photographing and drawing the relief decoration on these blocks to reconstruct missing
wall scenes from which they came. The blocks have suffered decay from water and salt
infiltration after sitting on the ground for many years. We conserved the most fragile
of these in 2000 and 2004 to clean and stabilize them. The Franco-Egyptian mission
at Karnak has now transferred these blocks to waterproof platforms. By 2002 we had
photographed and made preliminary drawings of most of these, but additional blocks
were identified as late as our 2004-2005 season and we still need to edit and collate
our drawings against the original.
(Above) a block from the north interior wall inscribed for Sety I before it was conserved
in 2000. A concretion of insoluable salts covers much of the block. Th lower edge
of the block (in yellow) was rapidly decaying.
(Below) the same block after it was cleaned and treated with restoration chemicals
which have made it stable.
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Preliminary results of our study of these fragments have revealed the original locations
of an increasing number of them on the upper levels of the walls. By analyzing these
decorated fragments, we have been able to determine the basic sequence of the decoration
along the tops of the north and north-east walls, where as much as half of the original
scenes are now missing.
A scene reconstructed from blocks showing Ramesses II being crowned by Horus and Seth
in the presence of two goddesses. |
A block from the reconstructed scene showing the king's head and behind it his partially
eroded cartouche name. |
Careful documentation and study allows us to restore missing portions of the walls,
revealing the decorative sequence decoration. Perhaps the most important scientific
finding that can be made is a more thorough understanding of the Karnak edition of
the "Ritual of Amenhotep I," the daily order of service for cult rituals in Egyptian
temples. Known from a papyrus manuscript and, incompletely, from extracts in the wall
decoration of various New Kingdom temples, the most complete monumental edition of
these rites is located on the north wing of the east wall. Yet large portions of the
sequence are no longer in situ. Through analysis of key epigraphic and stylistic criteria,
we have identified dozens of blocks from this sequence. We can retrieve most of the
Karnak version of the "Ritual of Amenhotep I," furthering our understanding of daily
cult rituals at Karnak and in temples throughout Egypt.
A block from the east interior wall showing part of the text from the daily cult service
known as "the Ritual of Amenhotep I." |
Missing sections of the interior walls of the Hall comprised ritual scenes exclusively.
Reconstructing those from the northern wing, crafted by Sety I, is especially challenging
because they are stylistically almost identical; all are carved in bas relief, and
the hieroglyphic spellings of his names are uniform. By contrast, Ramesses II's decoration
in the south wing of the Hall shows considerable variation in the style of carving
and in the form of his royal titulary. This variation allowed earlier scholars to
distinguish three separate phases of his reliefs and plot them chronologically through
the building.
A block of Sety I from the east side of the north interior wall. The king's arms,
shoulder and the lappet of his head-cloth have all been recut. This and the unusual
version of his cartouche with the epithet "ruler of Thebes" indicates that this block
came from the east wing of the north wall. |
We have now detected new iconographic and epigraphic clues that are making the task
of sorting Sety I's blocks possible: scenes on the top register were on a smaller
scale than those from the missing register just below it, so blocks from each level
are easily distinguished. We can also separate blocks from the east and west sides
of the north wall. The eastern reliefs still in situ are more elaborately carved.
Here, too, the sculptors often revised their work, making "cosmetic" adjustments to
the proportions of the figures that are now clearly visible because the plaster used
to mask them has fallen away. On the west side, the reliefs are plainer and reworking
is infrequent. Moreover, the north wall blocks can be distinguished from those of
the east wall containing episodes from the "Ritual of Amenhotep I." While most cultic
scenes have only brief captions identifying the cultic act being preformed, episodes
of the "Ritual" are glossed with longer texts, i.e., the full incantations spoken
by the priests during the liturgy. Blocks with these denser texts, which crowd around
the figures, are unlike those from "normal" ritual scenes.
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A loose block with the head of Seti I wearing the red crown of Lower Egypt. It was
once part of the lintel over the north gateway |
A scene reconstructed from blocks that were once part of the lintel above the north
gateway. The scene depicts Sety I running a ritual race accompanied by a young bull
calf. Sety clutches two libation vases in his hands while the gods Amun-Re and Mut
watch him. |
A block from a scene depicting the sons of Ramesses II leading Hittite and Syrian
prisoners to their royal father after the Battle of Kadesh. |
A column drum section from one of the dismantled columns from the Great Hypostyle
Hall. This block comes from the north wing of the Hall as the bas relief of Sety I
along its upper edge attests. Below is one of the large "bandeau texts" that Ramesses
inserted on all of the 122 smaller columns. |
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